Matt Bors prides himself (perhaps reluctantly) on being “The Last” nationally-syndicated editorial cartoonist in the United States of America. While the rest of the “sequential arts” are in the midst of their own Comic Renaissance, political and editorial cartoons are withering away with printed newspapers—now used with more satisfaction for fireplace starter and nesting material for gerbils than reading.
Despite this, Matt has built a decent following through cartoons and commentary that are consistently present and politically poignant. What do I mean by “present”? Outside of his regular publishing in regional newspapers near his home in the Pacific Northwest, his website archives all of his comics—which, from the perspective of social media (which have been steadily replacing print as our chief news sources for the past decade) are all very “share-friendly”. The first piece I ever saw of Matt’s got passed along in my Facebook feed, I believe, by the The Occupy Wall Street Page:
Web comic celebrity Matt Inman once put it a few years back, “With The Oatmeal, I wanted to create something where the viral marketing itself was the product, rather than trying to put it on something else.” I would argue that, er, Matt B. essentially does the same thing except with politicians instead of cats wearing ties (which does hurt his stats a little bit). In the realm of politics, though, Bors’ drawn conclusions are successfully competing with mainstream news media, (and they downright Haretsukan others in the domain of editorial cartooning). While the medium of the comic panels is almost defined by its accessibility, as Matt Inman hints at, the content of said panels remains a refreshing escape hatch from the suffocation usually associated with mainstream political discourse. It’s a pretty impressive balance.
For how long have you waited for an editorial cartoon–with mainstream accessibility–to point out the following:
(Check all that apply)
[ ] Most high-profile homophobes are probably gay (Matt keeps a list that’s about 2-score long)
[ ] The path to the Middle Class in America is arguably longer and harder than the path to citizenship
[ ] Despite being elected as the “anti-war candidate” against the GOP, Obama has continued the War on Terror, surged the troops in Afghanistan, NOT closed Guantanamo, and fully ushered in the era of drone-based warfare, currently occupying half a dozen countries in the Middle East / Central Asia.
[ ] Millenials, as a generation, aren’t “lazy”: they’re fucked (link goes to this gem of an essay, included in Matt’s book, posted on Matt’s website).
[ ] Occupy wasn’t a bunch of hippies sitting in a drum circle, and “I am the 99%” wasn’t just an incredibly meaningful slogan thought up in between bong hits.
At this point you may be thinking, “Isn’t this supposed to be a book review?”
The book is Matt in 200 pages. It’s everything that he offers as a political cartoonist in both form and content. It’s editorial cartoons and comics journalism, satire and commentary, covering women’s rights, marriage equality, Iraq, Afghanistan, Guantanamo, gun control, elections, debates and popular [mis]conceptions about all of these things. It’s a powerful and enjoyable showcase that makes you wonder why NO ONE else is doing it like Matt is doing it. Matt made fun of me, more or less, when I described him like that before–I guess I just don’t know how else to say it.
Is there anything I disagree with Matt on?
His cartoon about Julian Assange, which focuses on the allegations of rape against the Wikileaks founder, to me, is like looking at Obama’s foreign policy today and trying to focus on the 2012 Benghazi Attack. My point? That’s it’s sooooo not the point. And yea, I’m a woman and I know all about non-consensual sexual encounters; and yea, there’s an American diplomat to Libya out there, listening to Steve King or Lindsay Graham, going, “Give me a fuckin’ break!”
One cartoon not doing it for me, out of a thousand, is acceptable.
Matt’s book, Life Begins at Incorporation, can be purchased online through Matt’s website.