While we were traveling America last year, we came across Vol 3 of Larry Gonick’s fantastic ‘Cartoon History of the Universe’ series. Endorsed by everyone from Doonesbury’s Garry Trudeau to the late Carl Sagan, the series more than lived up to the hype. This led us to his website whose work spans topics ranging from history to physics to pure math.
That’s how we found out that since the very beginning, Larry has seen comics as a way not only to entertain and inform, but to change the world we live in. Once we’d seen that, we knew we had to interview him. Thankfully, he obliged.
1) How did you get into reading comics? What was the first comic you ever owned?
My father used to read me the comic strips from the Sunday Denver Post when I was four years old. I’ve been reading comics ever since. I couldn’t possibly remember my first. I’m pretty sure I Go Pogo entered the house by the time I was six. Kelly was surely my strongest stylistic influence.
2) On your website, it says you dropped out of math in 1972. What’s the story there?
3) You also say that “My crazy hope is that this crazy medium will somehow improve this crazy world.” That describes our work pretty well, too. But you’ve been doing this since the 70s. What made you think comics were a good medium for social change?
4) Your background is in math, but your bibliography covers an incredible diversity of topics from history to chemistry to sex! Did you have co-authors for some of those titles, or did you research it all as you went along?
5) Something that really stood out to me when I was reading the first three volumes of ‘Cartoon History of the Universe’ was how deliberately you avoided falling into a Eurocentric narrative of history. The Islamic world, the Indian subcontinent and China all feature prominently in your account of world history, with attention paid to the Eurasian steppe and sub-Saharan Africa as well.
But in Vol 4 (rebranded by the publisher as Cartoon History of the Modern World, Vol 1) the focus shifts dramatically to Europeans, apart from a good account of Meso-American civilization and some coverage of the Inca. There’s still some coverage, but it isn’t at the level of the previous books. Why was that?
6) I know you’ve just finished a book, and there’s a question about that coming up. But do you have plans for any future ‘Cartoon History’ or ‘Cartoon Guide’ titles, or anything else?
I’m in the middle of The Cartoon Guide to Biology with Dave Wessner, a biology professor at Davidson College (Steph Curry’s alma mater. Go Warriors!). It will surely be the longest of all the science books. I’m also working on my first project explicitly meant for the classroom: a large series of quiz questions for beginning physics.
7) Looking at your website led me to the ‘Commoners’ series, which I read as short comics about the enclosure of different commons by transnational corporations. What led you to produce those?
An old friend and associate, the late Jonathan Rowe, who spent his life in activist writing, put me on to the idea and found some funding to support the strip.
8) Do you still make time to read comics? Have you read anything good lately?
I have the time to do it but little inclination. I mostly read novels, with a little non-fiction on the side. My problem with graphic novels is that they’re quick to read and you rarely want to go back. In this, they’re different from the great comic tradition of work like Pogo, which I re-read until all the pages fell out. I’m proud to say that the Cartoon Histories are books that people return to again and again. I realize this sounds dismissive, and in fact I still read comics. I love Kate Beaton’s Hark! A Vagrant and check in with Randy Monroe’s xkcd pretty often. Of more-or-less recent book-length pieces, my favorite by was Roz Chast’s Can’t We Talk About Something More Pleasant?
9) You’ve got a new book coming out in the winter: “Hypercapitalism?” Can you tell us a little bit about it? What moved you to write it?
Tim Kasser, a psychology professor at Knox College, approached me about doing a book on capitalism and responses to it. I thought, Hm, why not go back to my political roots? The time was right. I especially liked approaching the subject from an unconventional direction: the psychology of money-chasing and material gain and what it does to more humane values and pursuits like community feeling and care for the planet’s future. Tim insisted that we finish the book with a long section on what people are actually doing to address our out-of-whack values, and I’m hoping that the book will stimulate some productive discussion out there in the discussion-sphere.
10) Inevitably, interviewers miss an important question. If there’s a question you wish I’d asked but didn’t, feel free to pose it yourself and answer it here.
FOR IMMEDIATE RELEASE
Political Cartoonist Matt Bors in Toronto to Talk Up New Book, Afghanistan Trip, Comics Journalism & Activism
Event Spokesperson: Nicole M. Guiniling (Ad Astra Comix)
Phone: (647) 863-4994
Between May 9 – 11, political cartoonist Matt Bors will be in Toronto showcasing his new book, Life Begins At Incorporation: Cartoons and Essays. In addition to exhibiting his work at the Toronto Comic Arts Festival (TCAF) May 10 – 11 at the Toronto Reference Library, Bors will be presenting his work on Friday evening, May 10 at 7:30PM at the Toronto Comic Book Lounge.
Matt Bors is a nationally-syndicated political cartoonist, editor, and writer based in Portland, Oregon. In 2007 at the age of 23, he was the youngest nationally-syndicated cartoonist in the United States. Since then his work has graced the pages of WIRED Magazine, The Los Angeles Times, Village Voice, and The Nation.
Life Begins at Incorporation is Matt Bors’ second book. It received 170% funding on the website Kickstarter in 2012, and was released to funding backers and pre-orders in April 2013. It features cartoons and essays on a variety of topics, from gun control, women’s rights, and the environment to the Global War on Terror (a segment of Bors’ talk is devoted to his trip as a comics journalist to Afghanistan in 2010).
In 2012, Bors was both a Pulitzer Prize Finalist for Editorial Cartooning and the first alternative-weekly cartoonist to win the Herblock Prize for Excellence in Cartooning. At a time when political cartooning is widely considered to be a ‘dying art’ by the journalism industry, Bors’ cartoons have received significant mainstream political traction. In 2012, one of his works was presented by U.S. Congressman John Larson during a house floor debate on the Affordable Care Act, while another piece about Osama Bin Laden’s driver, Salim Hamden, was smuggled to him while he served as a detainee of the Guantanamo Bay Detention Camp.
Bors is available to interview in-person during his stay in Toronto May 9-11, or by phone at the interviewer’s convenience.
Interested parties can find examples of his work and more information on his website, www.MattBors.com. A .PDF copy of Life Begins At Incorporation is available for review upon request.
“The Political Comics of Matt Bors,” is organized by the website Ad Astra Comix, which reviews, researches, promotes and distributes political and historical comic art.
What People Have Said of Bors’ Work
(Quotes From the Back Cover of Life Begins):
“Life Begins at Incorporation is equal parts maddening and hilarious. Matt Bors reminds us that in an unjust world, laughter is an absolute necessity. The only disappointment in this book is that despite my wishes to the contrary, ‘The Avenging Uterus’ is not in fact real.” – Jessica Valenti, founder of Feministing.com & author of The Purity Myth
“Bors embodies the highest virtues of political cartoonists: fearless, provocative satire and cutting, acerbic insights. He’s also unfailingly funny.” – Glenn Greenwald, columnist for The Guardian
“Able to eviscerate a target with a single panel. You never want to end up on the wrong side of his pen and ink!” – Markos Moulitsas, Publisher, Daily Kos
“Bors has the right stuff and then some.” – Christopher Hitchens, author of God Is Not Great
“A bunch of cunty liberal garbage.” – Person on the Internet