We’re thrilled to announce the publication of our fourth title, Undocumented: The Architecture of Migrant Detention Centres’. First published in a very short run in 2014, Undocumented grew out of the research of architect and activist Tings Chak. Tings has been active in the Toronto chapter of No One is Illegal, a group dedicated to protecting the rights and freedoms of migrants.
This second, expanded edition of the book comes at a difficult time for migrants. With Trump talking about building a border wall, hiring hundreds of thousands of border guards and even discussing using 100,000 national guards to deport migrants, things are looking grim. The situation in Canada is not much better, as refugees flee over the US border only to be threatened and arrested when they arrived.
That’s why it’s so important to keep informed. Undocumented provides critical context for understanding how migrant detention works to strip people of their humanity and make them invisible to society at large. Forewarned is forearmed as they say and this book helps to explain what is shaping up to be one of the most important struggles of the 21st century.
War in the Neighborhood is 320 pages of largely unheard history. First published in 1999, WITN is a story about smashing cinderblocks, filling in the cracks and finding our future in the rubble. It tells the story of New York City’s Lower East Side in the late 1980s, when it came under attack by wealthy developers, cynical politicians and that special kind of daring yuppie who thinks that gunshots in the night are a sure sign of a hip ‘hood. The panels may be black and white, but the moral questions raised in the comic are anything but.
It may be hard to imagine that a story set at the end of the Cold War is relevant to struggle today. The history of social struggle, however, repeats itself. The lessons contained in ‘War in the Neighborhood’ have echoes in Occupy, Black Lives Matter and other 21st century social movements.
‘War in the Neighborhood’ is the longest book we’ve ever published. Our printer tells us that it will cost about $11,000 to print 3,000 copies. In order to ensure that our publishing projects are sustainable, we make sure that pre-order campaigns like this one cover the full cost of printing. Our funding levels reflect the cost of laying out, printing and shipping these titles. That’s why we’re asking for 15 big ones in order to cover costs.
But, there are some incredible perks in this crowdfunder: workshops, original poster art, super-rare political comics… even some special offers for retailers and distros! So check out the crowdfunder and spread the word!
As we’ve mentioned before, a number of the folks involved with ‘Extraction! Comix Reportage’ have gone on to do other important work. One of the most interesting and accomplished of the Extraction contributors (not that they aren’t all just fascinating) is journalist and activist Dawn Paley. We caught up with Dawn via phone call, since she’s currently living and working long term in Puebla, to find out what she’s been up to since the comic came out. Here’s how that went:
Ad Astra: Could you tell us a little bit about your history as an activist?
Dawn :I grew up in the lower mainland of British Columbia, on Coast Salish territory. I grew up in a pretty isolated area, this is pre-internet, so my first entry into activism was through environmentalism, eventually I started working as a journalist, doing media activism and grassroots journalism. Over the years, I’ve written about environmental and land issues ranging from the Canadian Boreal Forest Agreement to the impacts of US foreign policy and the expansion of capitalism on communities in Mexico, Central and South America.
I’ve been working as a journalist now for a little over 12 years, largely focused on Mexico, Central and South America, but especially Mexico. The piece I did for ‘EXTRACTION!’ [Gold: Taking the Heart of the Land] was the result of one of my first trips to Central America, and over the last decades I’ve continued to cover the ongoing dispossession, violence and colonialism taking place in Mexico, Central and South America. In my work I strive to explore the nature of the violences of capital and states, part of the work is to expose the connections between the global north and the violence that so deeply impacts so many folks in the global south.
Ad Astra: How did you first get involved in ‘EXTRACTION!’? How did you settle on the Goldcorp mine in Guatemala as the subject of the comic?
Dawn: I became involved with Extraction! because I had previously collaborated with [editor] Frederic Dubois, and later became friends with [editor] David Widgington of Cumulus Press as well. They asked me to do a chapter. They initially asked me to write about Barrick’s Pascua Lama mine in the high Andes in Chile and Argentina. I countered with a proposal to write about Guatemala/Goldcorp, suggesting that it would be a stronger piece because I’d already done interviews and research in the area. Plus, comics being a more visual thing it made sense to be working on a project about a place I’d seen first hand.
I knew the comic was going to be good as soon as I found out Joe Ollmann was working on the project. I immediately liked Joe’s style and his approach. We didn’t get to see a whole lot with each other – it was a long distance working relationship, but it was a nice experience. Joe has a fabulous sense of humor, and the final experience of seeing my words through Joe’s illustrations was incredible. It’s just totally different than print reporting.
Ad Astra: What was your collaborative process with Joe Ollmann like?
Dawn: It might be a bit passé for someone my age, but I confess, I’m a dyed in the wool print journalist. Obviously all journalism is teamwork, and sometimes I’ll work with a collaborator, like a photographer. Sometimes with print, you’ll write the piece and the photographer will send a cutline or two to go with their images, or your editor will suggest some changes to a piece. But with comics, the artist does so much work. Drawing, inking, and lettering takes so much time and skill. I don’t want to diminish what editors or photographers do…there’s a lot to it. But with this comic, it felt really different. It was an even longer process. It was interesting to have the surprise of seeing how he drew the things I saw and talked about, how he represented them. Workflow wise, we went back and forth long-distance, I compiled a script that included all kinds of visual clues I would leave out of a regular, reported piece, and went from there.
Extraction!’ artist Joe Ollmann meeting with Dawn, along with publisher and co-editor David Widgington and co-editor Frédéric Dubois. Photo by co-editor Marc Tessier.”
Ad Astra: Have you stayed in touch with Héctor and other people you met on the trip? What’s going on around the mine more recently?
Hmm. They’re pseudonyms in the story, so I needed to think about which person “Héctor” was. Yes, I’m still in touch with him. We G-chat sometimes. I saw him a couple of years ago when a serious earthquake hit the department of San Marcos; he took me around and brought me up to speed about what was happening in the region at that time. Goldcorp’s Marlin mine is in the process of closing, and they are doing a lot of public relations to make it look like they did a great job. I was in Guatemala in April and I saw a full page ad in the national newspaper, showing employees planting a bunch of trees in the area, you know, showing us that everything’s hunky-dory! But there’s a lot of ongoing health and environmental issues with contamination from the mine, and people are still facing charges for their role in resistance from years ago. I remember maybe five years ago, folks who survived the internal conflict pointed out to me how there were no basically no political prisoners in Guatemala until after the peace accords were signed in 1996. That was because the state didn’t take prisoners, rather it killed dissidents, activists, organizers, and entire Indigenous communities.
But today in Guatemala there is a HUGE amount of criminalization of community organizers. This criminalization specifically targets Indigenous communities and land defenders. People are thrown in jail, accused of huge list of charges, serving months and sometimes years for resisting dams, mines, highways, cement plants, palm oil, and so on. There are a lot of incredibly brave lawyers and activists fighting against the criminalization of land defenders and political prisoners in Guatemala, fighting for their release. I think this is really crucial context today that we need to keep in mind in looking at this comic from almost 10 years ago.
Ad Astra: Would you work on another comics journalism project, given the appropriate resources and journalistic freedom?
Dawn: I’d love to do another comics journalism project, connected to the research I’m doing with families of people who have been disappeared in Mexico. I’m doing a multi-year investigation into this issue as part of a dissertation, and what I hope will be my next book. When I can, I have been walking with family members on weekends, when they convene to look for bodies. It is a very intense experience–people using little more than sticks and shovels to search for missing daughters, sons, brothers, sisters… This is an entrenched reality in Mexico today and yet I think for many it is something that is still difficult to imagine. I think comics could be an important avenue to communicate this experience.
Ad Astra: How have things changed for mining activists since ‘EXTRACTION!’ was first released?
Dawn: Well, Indigenous land defenders across so called Canada have come out strong using a whole range of strategies to fight against destructive extractive industry projects throughout the entire last century and into this one. I think it is important to start by acknowledging the importance and the continuity of those struggles.
Specifically, EXTRACTION! first came out almost 10 years ago, and I think it’s still really relevant. As for differences between 2006 and 2016? There’s a lot more solidarity and visibility for these struggles, actually, including some really amazing organizing in Toronto and Vancouver. And urban activists are not just connecting the actions of Canadian companies in Guatemala or elsewhere with their headquarters in Toronto or Vancouver, but also looking at the activities of mining companies, sometimes even the same mining companies, on stolen Indigenous land in Canada. In my opinion, activism against destructive mining has gotten smarter, more intersectional.
We’ve seen huge amounts of community organization against mining happening, from the community level to the international level. In 2006-2007, I was reporting on a fairly nascent struggle in Guatemala… Now Goldcorp and gold mining has become a landmark issue in Guatemala. Folks all over the country know about it, they are prepared to fight against it and are pre-emptively declaring their communities free of mining… In general more and more folks and communities in Mexico, Central and South America are weary of Canadian or other mega-mining projects. People are mobilized against the damage that these companies are doing/can do to their water supply, their communities, and increasingly that organization is taking the form of international coalitions, groups that can represent hundreds of struggles. Over the past 10 years, many people resisting mining have been threatened, murdered, and displaced, but there have been huge strides around these issues in terms of awareness and preventative action, and it’s important we take note of the gains.
Ad Astra: What have you been up to since ‘EXTRACTION!’? What are you working on now?
Dawn: Well, I’ve continued to work as a journalist, in 2009 I helped found the Vancouer Media Co-op and was involved in various media projects in Canada for a few years. 2010 was a big year, we helped cover resistance to the Olympics in Vancouver and later to the G8-G20 in Toronto. At the year’s end I left Vancouver and started researching for my first book, Drug War Capitalism, which came out with AK Press in late 2014. Since the book came out I’ve been doing lots of speaking events in the US mostly, and we’re working to try and get a Spanish version of the book out soon. I also started a doctorate at the Autonomous University of Puebla in Central Mexico, where I am based.
At this very moment, I’m working on an investigative piece about families of the disappeared in Mexico, about the folks I mentioned who have started searching every every weekend for clandestine graves that may contain their family members. I’m writing about what it is like to walk alongside them as they search for their loved ones. I think that the movement of searchers is one of the most significant social movements in Mexico today, and one that urgently merits our attention.
In April 2015 our free webcomic DOGS gained national attention in Canada for its depiction of the little-known but horrific RCMP sled dog slaughter of the 1950s-60s in Eastern Arctic Canada. On Friday, June 5th, Ad Astra Comix launched a small crowdfunder to print the comic as a poster in bulk.
As part of our expanded Promotions section, we will be bringing together a monthly digest of political comics from around the world, in search of support. Here is a listing of past crowd-funding projects that we have publicized.
Freak’s Progress is twenty-first-century take on the morality play, a traditional theatrical form that demonstrated morally and socially correct behavior. Hasse’s goal is “to explore the deep heterogeneity we live with, and how that heterogeneity can create both deep understanding and radical confusion,” based on her “experiences as an artist, educator, social justice advocate, and resident of urban neighborhoods in transition.”
Hasse has an extensive portfolio of her work available on her website.
This project is accepting funds through the end of the year.
Starting in 1995, Boyd has been adapting stories of United States history into comics featuring a Chesapeake Bay blue crab named Chester. Originally, the strip syndicated in Virginia with the goal to encourage voluntary non-reading children to engage with history. Now, Boyd seeks funding to digitize his entire collection to make them available to everyone.
During this digitization project, Boyd is also planning to expand on Chester’s adventures through American history by adding more jokes, more details, and by providing links to on-line history resources.
This project is accepting funding through Dec. 27, 2013.
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Recognize that chunky sweater?! That’s right, folks–that’s Chomsky, in comic form!
On Indiegogo now is an exciting new political comics project. Click the image above to check out the campaign – or any image on this page, for that matter!
Writer and Illustrator Jeffrey Wilson and Luke Radl are putting together a graphic novel developed from an interview Wilson conducted with Noam Chomsky in 2012. For those familiar with Chomsky, you may understand me when I say that he is a wealth of information that is perhaps difficult to take in all in one sitting. Most recently, I heard him interviewed on CBC Radio Q, on the topic of NSA and spying programs–and just as a side note, Chomsky mentioned a great deal of information with regard to COINTELPRO and the counterintelligence programs that waged war on progressive groups in the 1960s and 1970s. It’s a lot of history and analysis to take in in 10 minutes. And that’s why I think a graphic novel interpretation of Chomsky is so promising. In the words of the creators,
“We take the historical examples used and give them a depth that might otherwise be glossed over. For example, when Chomsky mentioned the Free Speech Movement of the 60’s during the interview, we do the research and take you back to that time period so it is not just a passing reference but a real and dynamic moment. This work is important because it will offer not only an introduction to the thoughts and insights of Chomsky but the graphic novel form allows us to layer information and move the reader through time and space in unique ways.”
With that said, Wilson and Radl have a lot on their plates…. and that’s AFTER fundraising $15,000.
As for artwork, I can’t think of many other contemporary comic artists who could do better than Luke Radl. He initially got my attention on Cartoon Movement with his comics journalism coverage of the 2012 NATO protests in Chicago, in which members of Iraq Veterans Against the War, led by 3 young Afghan women and peace activists, marched to the gates of the summit. Veterans, in the fashion of the protest on the Washington Monument during the Vietnam War, threw their metals over the fence in one of the most powerful acts of protest I have seen against the war in the last decade. It was an incredible thing to see illustrated. His full portfolio can be viewed here: www.lukeradl.com/illustration
Donate what you can. Share where you can. This looks like a wonderful initiative.
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Terminal Lance on Kickstarer
Just came across what appears to be an amazing war comic project on Kickstarter. I highly recommend people check it out–if not to add to his already-attained goal–but to pre-order a copy of what is surely to become an incredible comic.
The White Donkey is the creation of Max Uriarte, an artist and US veteran who served on two deployments to Iraq. His regular web comic, Terminal Alliance, features often-funny shorts about army life. While not a military person myself, a lot of my closest friends (including my husband) are veterans–and the stories definitely ring true with what I’ve heard before.
There is richness in those stories that is baited with a bittersweet intrigue: war stories and military life draw just about every observer into it. And because war has a tendency to bring out both the best and worst in a human being, it will forever be a popular subject within all creative media.
Comics with a Cause has just hit the $1,000 mark on Indiegogo. Let’s help them make this happen.
News of this project totally hit me by surprise. My husband was the one to point it out to me- a new fundraising campaign for a web comic series, inspired by the question of “What men can do to end violence against women” launched by Rodrigo Caballero and his fiancee, Babette Santos in Vancouver last week. What struck me was that, not only did this project sound amazing, but that Babette–who I know completely outside of the world of comic books–was a bridesmaid at my wedding in Vancouver. What a small, wonderful world!
It sounds like this is going to be a pretty slick web comic with a great opportunity for it to be brought into print. The informative nature of the subject matter makes me happy that, once the initial funds are raised, there is no hindrance to anyone benefiting from its contents: a free web comic is a free web comic.
Through networking and contacts, Babette and Rodrigo have already drummed up a lot of initial support in the women’s rights community in the Lower Mainland– at women’s centers, shelters, and through advocacy groups. I think this project has the potential to do something amazing: please, instead of giving money to Gawker (a media company worth over $300 million) to see a 30 second cell phone video of my mayor smoking crack — support something positive. Support Comics with a Cause!
This project is not to create a book for a regular readership. Prison Grievances is written specifically for inmates of the U.S. prison system, fundamentally focused on education and empowerment. The book, reviewed by people at all levels of the prison system from judges to former inmates, details the step-by-step process for filing complaints with the court system, requesting a special piece of equipment due to a disability–whatever the case may be.
While this book may come across as little more than a practical tool for someone in a different situation than you, it serves a great purpose. The fact of the matter is that 1 in 12 Americans have been in the prison system, and over 2 million people currently sit in jail cells–that’s more prisoners than the People’s Republic of China (which, by the way, still has more people than the U.S.) Anyone who still thinks that the prison industrial complex isn’t a problem should do some more reading on the matter – maybe start with Shane Bauer’s recent heart-wrenching article in Mother Jones: “Solitary in Iran Nearly Broke Me. Then I Went Inside America’s Prisons.”
Leclercq has taken the right approach in tackling this titanic challenge that we face as a society (whether we admit it or not–prisoners becomes ex-prisoners, who are then our co-workers, neighbours, and fellow citizens), and is attempting to hand these men and women a valuable tool. If this project speaks to you, please check out the pitch page and make a donation.
Thank you to everyone who participated in our Indiegogo campaign to re-release “100 Year Rip-Off: The Real History of British Columbia”.
We successfully raised enough money to cover most of the printing costs! Which is fine by me–as we raised $500 more than I was expecting.
This means 100 Year Rip-Off will be getting back from the printers in September, and will be ready to distribute and sell at retail shops across Canada.
From the bottom of my heart, I thank each and every one of you for your generous support. As comic books rise in popularity and cultural relevance, it’s work like 100 Year Rip-Off that show us a long tradition of using comic books for education and social change.
I hope you all enjoy your copy/copies as they arrive at the end of September. For those of you who ordered larger numbers or are receiving a map in addition to the comic, be on the look-out for a larger shipping parcel. For orders outside of the U.S. and Canada, your shipment may be slightly delayed–but should arrive nonetheless by the end of September, as promise.
For those of you interested in keeping in touch, please follow me online!
I apologize for the lack of updating on the website–crowd-funding actually left me feeling a little exhausted. Hopefully content will be flowing at a normal pace really soon.
Facebook Page: https://www.facebook.com/AdAstraComix?ref=hl
Twitter Account: @AdAstraComics
Cheers everyone! Thank you once again, and have a terrific long weekend!