Although the name might mean little to modern readers, there was a time when the initials ‘IWW’ struck fear in the hearts of bosses, police and all other respectable elements of society. The Industrial Workers of the World, formed in 1905, was one of North America’s most radical and militant unions. Though much diminished since its heyday in the 1910s and 20s, there are still active IWW chapters around the world, including here in Toronto. What is less well known about the Wobblies, as they have been called for generations, is their rich history of political cartoons.
Their most enduring contribution to the graphic vocabulary of the left is undoubtedly the Sabo-Tabby. Seen here with claws out and back arched, the Sabo-Tabby was probably created by Ralph Chaplin, more famous for writing the union hymn “Solidarity Forever”. But their work also includes the hopeless ‘boss-head’ Mr. Block who could never quite see where his interests lay, and a proliferation of other editorial cartoons. The IWW truly forged an iconography of both union pride and class consciousness in their decades of activity.
In their cartoons, the IWW often sought to entice workers away from electoral politics. The IWW emphasis on direct action – strikes, foot-dragging and packing jail cells over free speech – finds ready expression in this cartoon. The heroic figure of the worker is coaxed by the politician on the one hand and the Wobbly on the other – where should he struggle? Washington’s distance is matched by the factory’s immediacy, emphasizing the workers’ true and immediate priorities. The stakes of this struggle are expressed in the preamble to the union constitution:
“The working class and the employing class have nothing in common. There can be no peace so long as hunger and want are found among millions of the working people and the few, who make up the employing class, have all the good things of life.”
In the first half of the 20th century, when millions of working people lived in conditions of poverty unimaginable today, the rich enjoyed lives of equally unimaginable luxury. The appeal of the IWW’s call is all too evident.
The refusal to deal with politicians, seen as agents of the capitalist class, is recurrent in Wobbly cartoons. The IWW’s antipathy to politicians began early, with a break from socialist politician Daniel DeLeon, who insisted on the primary importance of political struggle and the potential irrelevance of demands for higher wages. The Wobbly response to this attitude is summed up wonderfully in “Now He Understands The Game”, where the looming figure of a class-conscious worker looks skeptically on the capitalist’s puppet show. The demands clutched in his hand and the rising sun of the IWW at his feet are all a part of him seeing the political façade for what it is, and so the worker is labeled accordingly on his overalls. That the various political puppets are all on the strings of the same boss, symbolizing the capitalist class as a whole, showed that the bitter partisanship of mainstream politics was an irrelevance to workers who could legislate on the shop floor.
IWW cartoons tended to construe politicians as a class, usually not differentiating between Democrat or Republican. But their jabs were also aimed at the parties of the socialist left. In this cartoon, the artist mocks the notion that transient workers can have their interests served by sedentary politicians belonging to the more mainstream Socialist Party, led by former Wobbly cofounder Eugene Debs. Farmhands, lumberjacks and other temporary migrant workers were the focus of many successful IWW campaigns; the idea that these precarious workers would cast their lot in with a politician representing a congressional district they might not be in for even a year was duly mocked by the Wobbly press. The only way to catch the pork chop of gainful employment was to join a union that would see to your getting a square deal – or at least a square meal!
The Communist Party USA was, if anything, less favourably regarded by the Wobs. Like a great many other left organizations operating in North America, the IWW was constantly confronted with accusations that it was doing Bolshevik Russia’s work and that its members were agents of the communist state. This allegation was not helped by the emigration of leading Wobbly ‘Big’ Bill Haywood to Russia following the revolution, and the publication of his happy memoirs. But as this comic shows, the IWW did not want to be seen as leading the Russian Bear behind it. The cartoon draws on the popular representation of Russia as a bear, and the high population of lumberjacks in the IWW to create an image of a sinister woodsman. Other than the label, ‘One misconception of the IWW’, nothing in the cartoon indicates that the Wobblies and the Bolsheviks were anything other than friendly.
Although they were drawn by dozens of different artists, some of whom are speculated to have had separate careers as established comic strip artists working for commercial features, IWW cartoons share some commonalities. They are seldom subtle, and some feature such extensive labeling of elements of the image that one suspects the artist harboured grave doubts regarding their abilities as an illustrator. At times they attempt to incorporate too many elements to be coherent, though most of those selected here avoid that prospective pitfall. But they serve their purpose in their simplicity: politicians and businessmen are ugly with expressions of sinister intent on their face. For hungry workers making a pittance for long hours, the straightforward message of these comics must have helped to win them over to the Wobblies’ cause. When all the fiery manifestos in the world won’t do, sometimes a few comics can close the gap.
MORE WOBBLY ‘TOONS…
Preamble of the IWW, by its membership: http://www.iww.org/culture/official/preamble.shtml Rebel Voice: An IWW Anthology Edited by Joyce L. Kornbluh. 2011, PM Press. The Industrial Workers of the World: Its First 100 Years. Fred Thompson and Jon Bekken. 2006, IWW. Bill Haywood’s Book: The Autobiography of Big Bill Haywood New York: International Publishers, 1929
For a comic book history of the IWW, check out:
Keeping the Faith: Wobblies! A Graphic History of the Industrial Workers of the World. Mike Alewitz, Sue Coe, Sabrina Jones. Edited by Paul Buhle and Nicole Schulman. 2005, Verso Books.
4 thoughts on “Sabo-Tabby Vs. The Bosses: The Political Cartoons of North America’s Most Radical Union”
Great report, but, living in NYC since 1972 , I have to strongly disagree with the idea that you and others seem to imply that the “poverty unimaginable” is a thing of the past. The corporate media hides truth much more strongly than they used to. I keep seeing NYC people living in conditions of poverty that I’d have never guessed at. The NYC IWW has done a lot of work helping small amounts of those people , helping them help themselves.
Once people learn that their problems are not just a failure that they caused but a big system which needs to create poverty, wars and global warming people sometimes join up with others to figure out ways to fight back somehow.
Thanks for the mention, please join the fight, the IWW is still seriously trying.
Hey the Toronto wobs that I used to talk to seemed real nice.
Tom Keough a wobbly cartoonist
I am already a Toronto Wob, albeit a few months behind on my dues! I agree that people don’t understand the scale of repression or the depth of poverty in modern society, particularly in the United States. Nonetheless, it is a rare thing in North America for security forces to open fire with live ammunition on a picket line, for example. The pervasion and depth of poverty is also not as great. But I don’t mean to quibble – I think the main point is that things are getting worse, and will end up back where they started if we don’t fight back more effectively. In some ways the real fight is going on elsewhere in the world, where conditions like those we saw before WW2 are endemic.
Anyway, I am very aware the IWW is still trying, and I don’t think it’s an academic matter at all 🙂 The Quebec Student Strike really showed the value of syndicalism in a way it is difficult for more vanguardist types to contest. I’m glad you liked the article – anything to help spread awareness of the IWW. Awareness is the sorry cousin of solidarity, though! Feel free to add me on FB: https://www.facebook.com/hugh.goldring I’d love to get a look at some of your work as a wobbly cartoonist, and maybe publicize it on the site!