Tag Archives: Sarah Glidden

Above the Dreamless Dead: A Review and Listing of WWI in Comics

Today marks the centennial of the beginning of World War I. For those looking to comics for a quick and easy fix to explain how WWI started, there is indeed a comic for that. But for those looking to take advantage of the medium’s great ability to disseminate a deeper understanding of the conflict’s human impact, there are some exceptional titles available this year. These include anthologies like Above the Dreamless Dead and To End All Wars, as well as re-releases of classics like Charley’s War and It Was a War of the Trenches, to name a few.

Book coverToday we’re taking a look at Above the Dreamless Dead (First Second, 2014), an anthology of comics written and drawn to WWI poetry and song. Contributions are made by Peter Kuper, Garth Ennis, Sarah Glidden, Hunt Emerson, Eddie Campbell, and many more.

i wonder
From the poem “Channel Firing,” by Thomas Hardy, adapted by Luke Pearson.

The space between a human being, their pen, and a piece of paper is a place not for patriotism any more than any other compulsory thought. In a time when you could have been arrested for resisting a war that saw thousands die for every mile of ground gained, poetry gave precious creative room for soldiers and non-combatants alike to process the trauma and stress of a life at war. Counting the years both during and after the conflict (1914-1918), World War I poetry, has grown to become a huge body of literary work. It is within this section of 20th century literature that dozens of comics creators have put together a creative and aesthetically varied collection for Above the Dreamless Dead.

when this bloody war is over
“I Don’t Want to Be a Soldier,” a WWI soldier song, adapted by Hunt Emerson

Soldier songs, like those illustrated by British cartoonist Hunt Emerson, satirize and make light of the harsh everyday of the soldier–whereas Eddie Campbell’s piece, illustrating an episode of Patrick MacGill’s “The Great Push”, plunges head-first into the darkest corners of the human soul. Still others transcend the ultimately subjective spectrum of human emotion, and attempt to seek solace in the naturalist truth that regardless of man’s follies, the earth will continue to be as it always has.

A scene from “All the Hills and Vales Along”, a song by Charley Sorley, adapted by Kevin Huizenga

Within the larger category of WWI poetry is the subcategory of trench poetry. Noteworthy space is given to the most well-known of these poets, namely Wilfred Owen, Isaac Rosenberg and Siegfried Sassoon. Bearing witness to some of the most hellish of situations imaginable, trench poetry takes the reader to another world of blood, mud, and pain, at one both impending and uncertain. The stress induced by the battlefield lent itself well to art, where soldiers could perhaps hold on to their sanity by airing their demons.

In Isaac Rosenberg’s “The Immortals“, adapted here by Peter Kuper, we get a real taste of the fear and paranoia of the gunner who is tasked to shoot at an enemy that seems immune to death. The feeling of this unending hoard of soldiers leads Rosenberg to feel that he is fighting not a massive army, but the same undying soldiers over and over again.

"The Immortals" by Isaac Rosenberg, adapted by Peter Kuper.
“The Immortals” by Isaac Rosenberg, adapted by Peter Kuper.

The aesthetic diversity of the art presented in Above the Dreamless Dead is a reminder that WWI poetry is in fact a huge genre–and one that the book doesn’t even illustrated to its fullest, in my opinion. Above the Dreamless Dead focuses mostly on the poets proper of the era, and in doing so missed an opportunity to take a critical look at the growing argument for sexual and racial diversity of World War I poetry.

Focusing on young white men in documenting the First World War is obviously the norm, whether you’re interested in comics, poetry, or history in general. But historian Dr. Santanu Das (King’s College, London) states that our understanding of the war’s poetry is changing as we come to recognize the diversity of the work written at the time and on the subject. “Today, no serious anthologist can ignore the poetry of non-combatants, civilians or women, such as the poetry of Thomas Hardy, or Rudyard Kipling, or Margeret Postgate Cole.” Note that neither Thomas Hardy nor Rudyard Kipling were enlisted, let alone combatants, yet they both appear in this anthology. Margaret Postgate Cole, a wonderful poet, was not, although it is arguable that she was more personally affected by the war as a socialist and activist (her brother was jailed for refusing military orders, after his application for CO status was rejected).

Das continues, “We also must move beyond Europe, because there was war poetry being written in Turkey, India, and Eastern Europe. We cannot just limit ourselves to a narrow, Anglo-centric definition of First World War poetry. We should embed First World War literary memory in a more multiracial framework by investigating, recovering, and translating First World War poetry that’s being written often in non-European languages.” Suffice to say that there is no poetry here from a non-white or non-English-speaking perspective, in addition to there being no women poets.

This criticism could surely be echoed for most graphic interpretations of World War I, but it is a point worth noting from the perspective of our mandate (see Harlem Hellfighters below, for the ONE exception to this rule that we could find!). As 2014 invites us to meditate on the “War to End All Wars” we encourage our readers to keep a lookout for examples, comics or otherwise, of marginalized perspectives/histories of the World War I.

We hope that you pick up and enjoy your own copy of Above the Dreamless Dead, or any of the other WWI titles following!

World War I in Comics: A Reading List

Book coverTitle: Above the Dreamless Dead: World War I in Poetry and Comics
Poets: Rupert Brooke, Wilfrid Wilson Gibson, Robert Graves, Thomas Hardy, Rudyard Kipling, Francis Edward Ledwidge, Patrick MacGill, Wilfred Owen, Isaac Rosenberg, Siegried Sassoon, Osbert Sitwell, Charles Sorley, Edward Thomas
Creators
: Eddie Campbell, Sarah Glidden, Garth Ennis, Simon Gane, Luke Pearson, Hunt Emerson, Sammy Harkham, Kevin Huizenga, Peter Kuper, Isabel Greenberg, George Pratt, Hannah Berry, Phil Winslade, Stephen R. Bissette,  Kathryn & Stuart Immonen, Lilli Carré, Pat Mills, David Hitchcock, Liesbeth de Stercke, Danica Novgorodoff, James Lloyd, Carol Tyler, and Anders Nilson
Edited by: Chris Duffy
Published: 2014 by First Second
Dimensions: 21.7 x 15.9 x 1.7 cm, 144 pages
Purchase: Ad Astra Online Store

Great WarTitle: The Great War
Creator: Joe Sacco
Published: 2013 by WW Norton
Dimensions: 21.8 x 29 x 3 cm, 54 pages
Purchase: Ad Astra Online Store
Launched on July 1, 1916, the Battle of the Somme has come to epitomize the madness of the First World War. Almost 20,000 British soldiers were killed and another 40,000 were wounded that first day, and there were more than one million casualties by the time the offensive halted. In The Great War, acclaimed cartoon journalist Joe Sacco depicts the events of that day in an extraordinary, 24-foot- long panorama: from General Douglas Haig and the massive artillery positions behind the trench lines to the legions of soldiers going over the top and getting cut down in no-man s-land, to the tens of thousands of wounded soldiers retreating and the dead being buried en masse. Printed on fine accordion-fold paper and packaged in a deluxe slipcase with a 16-page booklet, The Great War is a landmark in Sacco s illustrious career and allows us to see the War to End All Wars as we’ve never seen it before.”

HarlemHellfightersTitle: The Harlem Hellfighters
Author: Max Books
Illustrator:
Caanan White
Published:
2014 by Broadway Books
Dimensions:
23.5 x 15.5 x 1.6 cm, 272 pages
Purchase:
Ad Astra Online Store

In 1919, the 369th infantry regiment marched home triumphantly from World War I. They had spent more time in combat than any other American unit, never losing a foot of ground to the enemy, or a man to capture, and winning countless decorations. Though they returned as heroes, this African American unit faced tremendous discrimination, including from their own government.

ToEndAllWarsTitle: To End All Wars : The Graphic Anthology of The Great War
Creators: Brick, Jonathan Clode, Michael Crouch, Steven Martin, Sean Michael Wilson, John Stuart Clark, Ian Douglas, Petri Hänninen, Bex Burgess, Stuart Richards, Lotte Grünseid, Chris Colley, Lex Wilson, Susan Wallace, Dan Hill, Faye Turner, Joe Gordon, Russell Wall and James Guy, Colm Regan, Andrew Luke, Sean Fahey, Pippa Hennessey, Steve Earles, Gary and Warren Pleece, and Selina Lock.
Edited by: John Stuart Clark and Jonathan Clode
Published: 2014 by Soaring Penguin Press
Dimensions: 26 x 17 x 2.5 cm, 320 pages
Purchase: from their blog!

An omnibus of 27 short graphic narratives based on actual events, characters, circumstances, incidents, myths or consequences of the Great War WWI. £2 for every copy of this publication sold will be donated to Medecin Sans Frontieres. Featuring the four theatres of war (land, sea, air and the home front), spanning four continents and drawn from both sides of the conflict, the stories range from 4 to 16 pages, each by a different author and/or illustrator from the world of independent comics.

CharleysWarTitle: Charley’s War
Author: Pat Mills
Illustrator: Joe Colquhoun 
Published: August, 2014 by Titan Books
Dimensions: 26.8 x 20 x 2.4 cm, 320 pages
Purchase: Through a few places on Seven Penny Nightmare

Arguably the most well-known WWI comic of all time. From renowned UK comics writer Pat Mills and legendary artist Joe Colquhoun comes a truly classic piece of British comics history, by turns thrilling, humorous and horrifying.  From its initial publishing in the 1970s and 80s, it was widely considered to be anti-war.

Line of FireTitle: Line of Fire: Diary of an Unknown Soldier August – September 1914
Illustrated by: Barroux
Translated by: Sarah Ardizzone
Published: 2014 by Phoenix Yard Books
Dimensions: 25 x 18.2 x 1 cm, 96 pages
Purchase: Available soon!

One winter morning, Barroux was walking down a street in Paris when he made an incredible discovery: the real diary of a soldier from the First World War. Barroux rescued the diary from a rubbish heap and illustrated the soldier’s words. We don’t know who the soldier is or what became of him. We just have his words, and in his own words and Barroux’s extraordinary pictures

tardisWWITitle: Tardi’s WWI: It Was The War Of The Trenches/Goddamn This War!
Illustrated by: Barroux
Translated by: Sarah Ardizzone
Published: 2014 by Phoenix Yard Books
Dimensions: 25 x 18.2 x 1 cm, 96 pages
Purchase: Available soon!
Jacques Tardi is responsible for two acknowledged graphic novel masterpieces about World War I: It Was the War of the Trenches and Goddamn This War! To honor the 100th anniversary in 2014 of WWI, Fantagraphics has now released a two-volume boxed set collecting these two perennial classics. The first book, It Was the War of the Trenches, focuses on the day to day of the grunts in the trenches, bringing that existence alive as no one has before or since with some of his most stunning artwork. His second WWI masterwork, Goddamn This War!, is told with a sustained sense of outrage, pitch-black gallows humor, and impeccably scrupulous historical exactitude, in masterful full color.

trenchesTitle: Trenches
Creator: Scott Mills
Published: 2002 by Top Shelf Productions
Dimensions: 21.1 x 17.5 x 1 cm, 176 pages
Purchase: Ad Astra Online Store
When Lloyd and David Allenby arrive in the trenches of the Western Front, they have no idea of the misery and violence that awaits them. Can an aloof Major be the father figure and guiding force in their desperate battle for survival? Or will the estranged brothers be swallowed up before they can come to terms with each other, trapped in the clutches of the Great War? Trenches is about the beautiful stories that come out of dark times.

Ghosts of PasschendaeleTitle: The Ghosts of Passchendaele
Creator: Ivan Petrus
For more info: Check out his website!
Launched in 2014, this is the third book of a graphic novel trilogy by Ivan Petrus featuring Belgian, British and French soldiers and their true stories from the First World War. Painted in bold, dark, muddy colours, his art powerfully invokes the iconic post-war Passchendaele landscape. Petrus said: “My first graphic novel was about Nieuport, my second about Furnes and Pervyse, so the battle of Ypres in 1917 at Passchendaele was the next logical step. It was an iconic battle for the British and Anzacs troops. Plus, 1917 was the wettest year imaginable. Passchendaele is all about courage and fighting spirit – in deep mud.”

An Up-to-Date Listing of Comics on Israel & Palestine

Ad Astra Comix is pleased to provide an up-to-date listing of comics, graphic novels, and “bandes desinees” about Israel and Palestine. As a part of our growing interest in political comics education, we offer this information as a useful resource, and do not necessarily condone or support all the various viewpoints expressed in the following books. 

by José Gonzalez and NM Burton

palestineTitle: Palestine
Author: Joe Sacco
Published: 1993 (First Edition). Single volume edition published in 2001 by Fantagraphics, currently on its 14th or 15th printing.As a comics journalist, Joe Sacco visually documented his travels through the West Bank and the Gaza Strip in a first-hand account of the people of Palestine. Over the past 20 years it has become, hands-down, the most lauded example of a comic depicting the reality of Israel-Palestine tensions. Sacco’s travels in between late 1991 and early 1992, mixed with comic-rendered flashes of significant historical moments, serves as a great primer to a history and conflict often misunderstood in the West.

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footnotes in gaza

Title: Footnotes in Gaza
Author: Joe Sacco
Published: 2009 by Metropolitan BooksA follow-up to Palestine, this work was released in 2009 documents Joe Sacco’s quest to discover the truth behind the events in Khan Younis and Rafah in November 1956, when Israeli forces were responsible for the deaths of nearly 400 Palestinians. Using largely first-hand Palestinian oral testimony, the comic chronicles the people met and interviewed during his travels, which gives shape to a dark history some 5 decades old. History and its revisions are explored as Sacco’s depictions of the stories told by each interviewee sometimes conflict and circle around the truth of why those Palestinian people were killed.

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sarahglidden_howtounderstandisrael

Title: How to Understand Israel in 60 Days or Less
Author: Sarah Glidden
Published: Vertigo (2011)What started off as a Birthright tour to Israel, special tours to help nurture a personal relationship with Judaism, became a challenging journey of personal discovery for Sarah Glidden. She traveled through many popular destinations like Tel Aviv and Jerusalem, though the most striking voyage is her unescorted trip to the West Bank, forcing her to ask serious questions of herself and her identity.Glidden has explained that she found herself discarding many pre-conceived notions that she had about Israel/Palestine before leaving North America.

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jerusalemTitle: Jerusalem: Chronicles from the Holy City
Author: Guy Delisle
Published: Drawn & Quarterly (2012)Another travelogue, this one situated entirely in Jerusalem as comics journalist Guy Delisle documents the life of his family who have travelled there as part of his partner Nadège’s work with Médecins Sans Frontières (Doctors Without Borders). Situated in the eastern part of Jerusalem, Delisle finds himself situated on the precise ground of conflict detailing the lives of people on land with a disputed border and what it means to revere a sacred city.

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exit wounds

Title: Exit Wounds
Author: Rutu Modan
Published: Drawn & Quarterly

Exit Wounds is Rutu Modan’s first full-length graphic novel, and tells an intricate story of a cab driver living in Tel Aviv who is suddenly faced with the possibility that his father has been killed by a suicide bomber.

Joe Sacco has helped open North American readers up to Modan’s complex and beautiful work by describing Exit Wounds as  “a profound, richly textured, humane, and unsentimental look at societal malaise and human relationships and that uneasy place where they sometimes intersect.”

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thin red lines

The works of Mohammad Saba’aneh

Though perhaps most known for being imprisoned for five months in Israel from February 2013, Mohammed Saba’aneh’s cartoons have been featured in newspapers throughout the Arab world and he’s had exhibitions in the United Kingdom, the Netherlands, Switzerland, and Jordan. His most recent exhibition, Cell 28, centres on his time in that Israeli prison. Much of his work describes a deep cynicism towards offers of peace coupled with a generally critical view of Israel.

"Arresting Mohammad Saba'aneh" - cartoon by Sherif Arafa. Photo courtesy of Cartoon Movement - click to visit site for a larger image view.
“Arresting Mohammad Saba’aneh” – cartoon by Sherif Arafa. Photo courtesy of Cartoon Movement – click to visit site for a larger image view.

hamas in comicsTitle: Hamas in Comics: Terror and Tyranny in Gaza
Author: Israeli Defense Force (IDF)
Published: 2013

Produced by the Israeli Defence Force (IDF), this comic book introduces young readers to Hamas through the eyes of the Israeli military.  A prominent example of a comic being used as political tool to shape the mindset of children, it also provides a unique glimpse into how the Israeli military envisions its own role in the conflict. Hamas in Comics draws striking parallels with comics you would be more likely to see in WW2-era North America (a time period not often considered to be the most enlightened when it came to representing non-American cultures).

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Moussa et David

Title: Moussa et David: Duex enfants d’un meme pays (two children of the same country)
Author: Maurice Rajsfus and Jacques Demiguel
Published: 2007 by Les Edicions Tartamudo (France)

A slightly different approach to a comic book aimed specifically towards children, this work by French Jewish historian Maurice Rajsfus tells the story of two boys who learn they have far more in common than their different religions might suggest. It serves as a lesson that those who are most innocent in this conflict may be able to show the rest how to solve the region’s problems.

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histoires

Title: Histoires d’une Région Enragée (Stories from a Raging Region)
Author: Ouri Fink
Published: 2008 by Gabriel Etinzon

Best known for his long running series Zbeng!, Ouri Fink’s collection of short stories targets political and religious extremists and satirizes them with a number of colourful comparisons. Some of the stories include “Hamas – the world’s mightiest moron versus the Rabbi ben Death” and “Humaus,” which borrows a device from Art Spiegelman comic Maus, but instead casts the Israeli settlers as the cats and the Palestinians as the mice. Fink’s refreshing use of humour sets his work apart from most other somber additions to this category of comics.

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Farm 54Title: Farm 54
Author: Galit and Gilad Seliktar
Published: 2011 by Ponent Mon S.L

This semi-autobiographical collection of short stories follow a young Israeli girl, and eventually a woman grown, named Noga. The conflict between and Israel and Palestine is muted to Noga during her childhood, but gradually as the stories move forward to Noga’s mandatory military service where she is most directly confronted with the reality of the conflict when she is compelled to take part in a forcible evacuation of Palestinian houses. Created by the brother and sister team of Galit and Gilad Seliktar, it provides a counter-narrative from within Israel that humanizes their closest neighbours.

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Signals from Gaza and other Webcomics by Samir Harb
Source: http://www.c-left.blogspot.ca/

This webcomic is one of the few examples of a comic from a Palestinian, due to the scarcity of jobs for comic artist in Palestine. Based on a true story, it follows an American Palestinian family trying to build a home in the West Bank. The challenges of maps is brought into focus as the very lines on each map make placing a home so difficult, with the slightest breach in a line being seen as a form of aggression. Considering the story is literally about lines drawn on paper, it makes a comic the perfect medium to explore this, and other disputes on where Israel ends and Palestine begins.

First panel of "Signals from Gaza" - click to be taken to Samir Harb's website.
First panel of “Signals from Gaza” – click to be taken to Samir Harb’s website.

najiThe Political Cartoons of Naji al-Ali

Of all Palestinian political cartoonists, the most influential is arguably Naji al-Ali, not only for the impact of more than 40,000 cartoons that he drew in his lifetime, but for the creation of the Palestinian characature and icon known as “Handhala”. Handhala has had a life and history for decades, depicting a 10-year old Palestinian boy, shoeless and in shabby clothes, with his hands behind his back. Al-Ali has explained that he symbolizes both himself (he was ten when he was forced to leave his homeland), as well as a number of general principles, including an allegiance with the poor and an unwillingness to have problems solved by external forces. Like any who saw it first-hand, Handhala became the iconic witness of the Israeli occupation. And like Handhala, al-Ali insisted he would forever remain a child until he was able to return home to Palestine.

On July 22, 1987 Naji al-Ali was shot in the face outside the London offices of al-Qabas, a Kuwaiti newspaper he worked for. He died of his wounds 5 weeks later.

His is one of the truest examples of the power of political comics to move, inspire, shake up, and frighten those who see them.

Further Reading:

Panels for Peace: Contributions of Israeli and Palestinian Comics to Peace-Building. Chantal Catherine Michel.
http://www.quest-cdecjournal.it/focus.php?id=332

Political Comics at #TCAF 2013

It’s safe to say that this past week was one of the busiest for me in recent memory. On top of working a 40 hour week at my day job (in 4 days), the Toronto Comic Arts Festival was in full swing and I was pulling together what I’d hope would be two kick-ass events for the weekend.phone photos 058
TCAF breaks records every year–has since I’ve been attending at least. If this year didn’t reach fire-code-breaking capacity at the Toronto Reference Library (in addition to several off-site satellite locations), and to be sure, they’re still still waiting on the official numbers, then it was awfully close. More notably there was an insane amount of talent at the show: Art Spiegelman and Francoise Mouly of RAW Magazine / MAUS / New Yorker fame. Jaime + Gilbert Hernandez, Tagame, Matsumoto, Chester Brown, Seth, David B… the list goes on.
Unlike my previous years at the festival, I saw a notable rise in interest (as well as work available) pertaining to political comic books. This is despite the skiddishness that remains around the term “political”. But whatever people want to call it, I found much more to chew on over the weekend than in years past.
Before I go into some books, a note on Comics Journalism.
If there’s one way to get people to talk comfortably about political comics and their viability, it’s Comics Journalism. I think it’s seen as a happy medium for a lot of  different interest groups, whether it’s non-comic folk looking for some different non-fiction, or comic fans looking for a different type of page to turn. In turn, the sub genre doesn’t effect the topic. Joe Sacco really birthed the term, from his thumb-to-index-finger loins, with work like Palestine and Safe Area Goražde, using comics to take on some pretty acceptable topics of intrigue in the journalism community… but since, really, you could do a comics journalism piece on just about anything and it would have the potential to be amazing. I look forward to seeing more and more come to maturity in this genre over the coming years.
…And secondly, a brief note about Art Spiegelman’s MAUS. I did not include MAUS in this list, because 1) I think it’s deserving of a little more commentary than one paragraph, for all it has done to influence the world of political comics… and comics in general. 2) It was put out 20 years ago. I feel like it’s a bit silly to put it among a list of up-and-comers with newly released works. (In other words, there will be more on MAUS as a specific work to come soon on Ad Astra!)
OK. To the books.

mattbors_lifebeginsatincorporation
LIFE BEGINS AT INCORPORATION by Matt Bors – I’ve never considered myself a fan of editorial cartoons, so when I decided to back Matt’s Kickstarter campaign, that really just meant that I liked his work more than I cared to admit. After a bit of discussion and a lot of planning on both ends, Matt was able to make it up to Toronto to promote his book at TCAF, in the midst of some type of Eastern-Time-Zone-only book tour.
The book is a collection of political cartoons and essays spanning years of wonderful American political drama- from the gay marriage debate that is still somehow being discussed, to the continuing occupation of Afghanistan and the reality that war-time simply seems to be the perpetual reality for Americans, post-9/11. I have plenty to say about this book and have already uttered plenty of niceties here. My recommendation over reading my book-length review is just to buy the book. It’s better.
From left to right: Rutu Modan (Jerusalem), Matt Bors (Portland), Sarah Glidden (vagabond drifter), Josh Neufeld (New York City)
From left to right: Rutu Modan (Jerusalem), Matt Bors (Portland), Sarah Glidden (vagabond drifter), Josh Neufeld (New York City)

I will add, however, that Matt gave a great presentation to an engaged crowd at the Comic Book Lounge on May 10, the night before TCAF–despite monsoon thunderstorms and a competing 10th Anniversary TCAF party down the road (we had this shit scheduled MONTHS ago. We’re not the splinter group. THEY’RE the splinter group!). Attendees included at least one other fellow Kickstarter backer, which was great to see.
On Saturday evening, Matt and I shared a table with comic creators Josh Neufeld, Sarah Glidden, and Rutu Modan to discuss “Comics & Politics” at TCAF to a great crowd who asked lots of questions–from comics journalism to comics activism, free speech and “to draw or not to draw” (discussing the Mohammed cartoon), stereotypes, backlash for work done… it was great. And what’s more, it shows a genuine interest in political comics from a variety of entry points.
sarahglidden_howtounderstandisrael

HOW TO UNDERSTAND ISRAEL IN 60 DAYS OR LESS by Sarah Glidden – Right in there on the topic of Comics Journalism. Sarah Glidden went to Israel on a Birthright trip and came out of it with How to Understand Israel in 60 Days or Less. Not only is it a journalistic piece about the country, it is journalism of herself experiencing it. The artwork is very much a European comic book style, with simple, expressive line work and really nice coloring (these are pretty much the first two things I think about when someone says European Comics). It’s packed with a thousand little stories that maybe tell us more about an American’s viewpoint on Israel than Israel itself, in all its historical and political turmoil. But I like the frankness that Glidden gave when describing the outcome of the book while at the TCAF panel (at the risk of seeming “wishy-washy”), when she said that this place became real when she traveled there, and the people in it became human beings. While I may not agree with Sarah on her political conclusions (and I’ve yet to see, as I’ve yet to finish the book!), it hardly seems relevant when we’re talking about a work of art that is depicting a personal experience.joshneufeld_ADNewOrleans

A.D. NEW ORLEANS by Josh Neufeld – This book has been on my list to pick up for some time, and it was a pleasure to share a stage with Josh and talk to him about this project. I’ve yet to fully pinpoint my thoughts on this, but there is something to be said about  a writer’s perception of an experience, and a visualist’s perception of the same thing. Neufeld seems to pick up on details of the Hurricane Katrina disaster that go missing in other accounts–and it’s not just a matter of mainstream vs. independent media. The wreckage, the crowds, the sweat, the loss of cherished items… all pulls at you differently when you are immediately able to absorb the information through a drawn depiction, without the filter or process of language. I particularly like the variety of people interviewed and their respective color palettes in the book’s pages. This will be a great one to finally read cover to cover.

I also got two other books that were illustrated by Josh Neufeld – The Influencing Machine: Brooke Gladstone on the Media, and Stowaway, written by Tori Marlan. Both works of comic journalism, although entirely different.


davidB_bestofenemiesBEST OF ENEMIES by Jean-Pierre Filiu et David – When I first eyed this book at TCAF last year, I’d already spent all my money. Good thing I have a better job this year. Best of Enemies explores the long and complex history of U.S.-Middle East relations. It is part 1 of 3: 1783-1953, and so incredibly fascinating. David B.’s illustrations are absolutely addictive; despite history typically being considered a dry subject matter, he ads enough art and style to the panels to keep even the subject’s most un-enthused reading on. In my limited French comprehension, David had to tell me in English that he and Jean-Pierre, an historian and former diplomat, are busy working on the next book, despite their own crazy schedules traveling around the world. I look forward to reading this one, as well as the coming two.


vendittihuddleston_homelanddirectiveTHE HOMELAND DIRECTIVE by Robert Venditti and Mike Huddleston – One of the few works of fiction that I picked up over the weekend, this self-described ‘political thriller’ is available through Top Shelf Productions, one of my favorite publishers. I always worry about books that look like this one… I don’t want to read a comic book version of the Bourne Identity, although the plot to this one sounds a bit more like the BBC TV show, Utopia. What pushed me over the fence with this one was the attention to detail that I can see–the stylistic and color scheme differences in the artwork as the pages change scenes, the elaborate plot that all ties together at the end (according to the dude from Top Shelf…. who I believe, cause they’re usually believable). Great cover art, too. I will get to this one, albeit a little later than some of the others. Suspicion ensues….


harveypekar_clevelandHARVEY PEKAR’S CLEVELAND with art by Joseph Remnant – In hindsight I’m trying to remember the reason I purchased this comic. It may have been the incredibly detailed pen and ink cross-hatch artwork, or the wonderfully vivid content of working class history in the Midwest, or the introduction by Alan Moore. All are good takers; combined, they won me over. It looks like a great read that most people would greatly under estimate.


7SbooksSEVEN STORIES PRESS at TCAF
Was so psyched to see Seven Stories Press –traditionally not a comics publisher–at TCAF this year. What a great addition to the exhibitors list. Tons of historical and political comics to choose from. I would place them as pretty much the only contenders to have stocked radical comics at the festival. Kudos to them coming and to TCAF for welcoming change and getting them on-board!

THE BEGINNING OF THE AMERICAN FALL by Stephanie McMillan – Yet another work of comics journalism, documenting the nature and relevance of the Occupy Movement in the U.S. This book was the 2012 winner of the RFK Center for Justice & Human Rights Journalism Award – not an award that I’m familiar with, but impressive nonetheless for a type of journalism not yet fully grasped. I am particularly interested in this because it is a political comic that isn’t afraid to take a side- it clearly sees its prerogative as educating a broader audience about the Occupy Movement and inciting a greater level of political participation in the world around us. Can’t wait to read.

AS THE WORLD BURNS by Derrick Jensen and Stephanie McMillan – Also at the Seven Stories Press table was this title, also one that I’d never heard of. This book teams McMillan up with notorious deep ecology activist Derrick Jensen to make satirical play on the impending environmental and ecological crises of out time. While it is fictional (perhaps allegorical?) it is undeniably meant to shock people at just how close we’re getting to a great collapse. Looking forward to the read.

PARECOMIC by Sean Michael Wilson and Carl Thompson – Also by Seven Stories Press, about Michael Albert and his development of Participatory Economics. I will probably pair this one up with another comic I plan to review about capitalist economics and see how many of you are still awake at the end. Introduction by Noam Chomsky. See, now you have to buy it.

canadian books

CANADIAN POLITICAL COMICS at TCAF

If political comics can be construed as typical, then it is assumed that the great bulk of them at the festival would be from the U.S. Despite TCAF being a Canadian event, there’s just more of everything coming from the U.S. in comics. But to my delight I was able to find some great work available through Conundrum Press, a publisher based out of Nova Scotia.

THE HERO BOOK by Scott Waters – Not so much a graphic novel or comic as an illustrated memoir (it says that right on the cover), The Hero Book is an artistic yet journalistic look at the culture and psychology of Canadian soldiers. At least, that’s as far as I can tell. Sorry, I was too busy looking at the ABSOLUTELY JAW-DROPPING artwork to read any more than a couple of sentences. Holy shit, this book is beautiful. And from what I can tell, the content is right up my alley. Looking forward to the read.

CHIMO by David Collier – While dealing with the topic of Canadian soldiers like the work above, Chimo appears to be much more comic book-y. As a part of the Canadian Forces Artists Program (seriously, I was surprised as well to hear that such a thing existed), Collier actually went through basic training to be able to write this book. As far as I know, he was in his early 40’s at the time. Impressive, David! It makes drawing out 100 pages sound pretty damn easy!

PAUL JOINS THE SCOUTS by Michel Rabagliati – This book fascinates me. The folks at Conundrum described it to me as something from their ‘Young Adult’ section, but pointed out that it covers a lot of the FLQ crisis in Quebec during the 1970s. What an interesting combination! I love the idea of mixing political and non-political plot lines (isn’t that more like real life?). Paul is the author’s semi-autobiographical character, so it would appear that the work draws from a lot of first-hand experience. Looks like a great piece – can’t wait to pick it up.

Incredible Talent to Discuss Political Comics at #TCAF 2013

Hey Y’all – It’s official. I will be moderating a panel of incredible artists on at the Toronto Comic Arts Festival (TCAF) – this next weekend. The panel is a presentation and discussion on Political Comics, and features Matt Bors, Josh Neufeld, Sarah Glidden, and Rutu Modan. Here are the deets:

Political Comics Panel
Saturday, May 11
at the Marriott Hotel
90 Bloor St. East
(Around the corner from the Toronto Reference Library)
5pm – 6pm

Let’s Meet the Panelists!

profile picMATT BORS  is a nationally syndicated editorial cartoonist and editor based in Portland, OR. He was a 2012 Pulitzer Prize Finalist for his political cartoons, which appear regularly in The Sacramento Bee, Portland Mercury, Pittsburgh City Paper, and on Daily Kos.

In the summer of 2010, Bors traveled to Afghanistan to draw comics and serves as the comics journalism editor for Cartoon Movement where he is currently editing a project on reconstruction efforts in Haiti.

In 2012, Bors was the recipient of the Herblock Prize and the Society of Professional Journalists’ Sigma Delta Chi Award for his editorial cartooning. His first graphic novel, War Is Boring, a collaboration with journalist David Axe, was published in 2010. His latest book is a collection of cartoons and essays title Life Begins At Incorporation.

glidden sample

SARAH GLIDDEN’s first full-length book, a graphic-memoir was How to Understand Israel in 60 Days or Less, based on a Birthright trip she took and was published in 2010 by DC Vertigo.

She is currently working on her second book, a work of graphic journalism following reporters into Iraqi Kurdistan, Lebanon and Syria. Her short pieces of graphic journalism have been published on Cartoon Movement, Ha’aretz, and the Jewish Quarterly. You can find more of her work at sarahglidden.com.

new orleans

JOSH NEUFELD is a comics journalist known for his graphic narratives of political and social upheaval, told through the voices of witnesses. He is the writer/artist of the best-selling non-fiction graphic novel A.D.: New Orleans After the Deluge (Pantheon). In addition, he is the illustrator of the best-selling graphic non-fiction book The Influencing Machine: Brooke Gladstone on the Media (W.W. Norton). He is currently a 2013 Knight-Wallace fellow in journalism at the University of Michigan. Neufeld is a Xeric Award winner, and his work has been nominated for a number of other awards, including the Eisner and the Harvey. Usually based in Brooklyn, N.Y., he currently lives in Ann Arbor, Michigan, with his wife and daughter.

portrait_modanRUTU MODAN was born in Tel-Aviv in 1966 and is now one of Israel’s best known cartoonists. She graduated from art school in 1992 and quickly established herself drawing strips for Israeli daily newspapers. In 1994 she was offered to job of editing an Israeli edition of MAD magazine with her classmate, Yirmi Pinkus, featuring reprints of US material supplemented with local originated material. The magazine shut down after 14 issues, but undeterred, Rutu and Yirmi founded Actus Tragicus in 1995, an internationally acclaimed collective and independent publishing house for alternative comic artists, including Batia Kolton, Mira Friedmann and Itzik Rennert. Rutu has worked as an illustrator for magazines and books in Israel and abroad, and has taught comics courses in Israel. She currently lives in Sheffield, England.

Modan’s newest work, The Property, is debuting from Drawn & Quarterly at TCAF this year.

For more information about TCAF 2013 – including a full list of all the kick-ass artists coming to town – head on over to http://www.TorontoComics.com

See you this weekend!